Familiar pics
Familiar pics: tinderscape
2019
50x70 cm
pastel, stickers on paper, alluminium frame
Exhibition view, Voi rubate del tempo alla fretta, a noi il mare ci impone lentezza, a CASTRO based project, curated by Alberta Romano and Vincenzo Di Marino, Villa Di Lorenzo, HYPERMAREMMA, Ansedonia, Grosseto, Italy
Familiar pics: tinderscape
details
Familiar pics: studio per una deposizione
2020
61x100 cm
pastel, collage, digital print, marker on pillowcase, blueback paper on plywood
Familiar pics: palma beach
2020
gif
Familiar pics: waxingscape
2019
72x75 cm
pastel, collage, wrapping paper, alluminium frame
Familiar pics: waxingscape
details
Familiar pics: waxingscape #2
2020
17x25 cm
acrilyc and oil on canvas
Familiar pics: grazing scape
2020
50x80 cm
pastel, oil, acrylic, ink on canvas
Familiar pics:urban scape
2020
60x70 cm
acrilyc, oil, ink on canvas
Familiar pics: meadow
2020
60x80 cm
pastel, collage, tablecloth on paper, alluminum frame
Familiar pics: wanderer
2020
38x55 cm
acrilyc and oil on canvas
Familiar pics: biometric birds
2020
40x50 cm
acrilyc, oil and ink on canvas
Familiar pics: solitary beach
2020
25x30 cm
acrilyc and oil on canvas
Familiar pics: desertscape
2020
80x100 cm
acrilyc and oil on canvas
Familiar pics: colonial postcard from outer scape
2020
80x80 cm
acrilyc, oil, ink on canvas
Familiar pics: forest
2020
40x50 cm
acrilyc and tempera on paper
Familiar pics: forest #2
2020
50x70 cm
acrilyc and oil on paper
Familiar pics: forest #3
2020
25x35 cm
acrilyc and oil on canvas
Familiar pics: seascape
2020
70x100 cm
pastel, stickers on paper, collage
Familiar pics: seascape
details
Familiar pics is an album of family memories.
In the series, references of history of figuration and operating instructions, logos, tutorials, images found in social networks, sharing platforms and advertisements, converge throughout an ongoing transformative practice that reformulates bodies, landscapes and visual heritages.
Images and symbols are fragmented, their conceptual and visual functionality is suspended. The reconstruction process of the new images is aimed to critical re-appropriations of the pre-established meanings.