Panorama (olio su carta), 2025, fine art print on Hahnemühle Baryta paper. Image obtained by digitally scanning the stained label of an oil container, used as a negative. 13,5x14 cm, 55x45 cm (framed).
- Moving away from the yellow line. Panorama (oil on paper). There is a pause in the exhibition. A small image is enclosed in a frame. It looks like a landscape. It is a photographic print in shades of pink and orange, the colors of sunset. Or dawn. Staccioli used the label of an oil bottle on which a stain has settled. The irony of using the term “oil on paper” is naturally implicit, along with the imaginative poetics of a worn, poor, recovered object, which here comes back to life in a photographic image of a natural landscape. It is a micro painting from another time. It is a lysergic context by Moriko Mori. It is a small strip of matter where Staccioli, with the poetic and childish irony of a Munari, has identified the visionary potential: nature takes things back and this “panorama” is a new habitat to observe. - Text by Rossella Farinotti
