Falling flowers (inerti) #3, 2025, ink, acrylic resin, pigments and colour transfer from torn toilet paper on found box cast made of reinforced concrete, resin and marble dust, aluminium, steel screws, washers, 19 x 15 x 10.5 cm
Falling flowers (inerti) #6, 2025, ink, acrylic resin and colour transfer from torn toilet paper on box cast of reinforced concrete, resin and marble dust, aluminium, steel screws, washers, plastic plug, 14.5 x 18 x 6.5 cm
Falling flowers (inerti) #1, 2025, ink, acrylic resin, pigments and colour transfer from torn toilet paper on box cast of reinforced concrete, resin and marble dust, aluminium, 18 x 26 x 6 cm
Falling flowers (inerti) #5, 2025, ink, acrylic resin and colour transfer from torn toilet paper on found box cast made of reinforced concrete, resin and marble dust, aluminium, 17 x 11.5 x 7 cm
Falling flowers (inerti) #9, 2025, ink, acrylic resin and colour transfer from torn toilet paper on box cast of reinforced concrete, resin and marble dust, aluminium, steel screws, washers, plastic plug, 30 x 25 x 5 cm
Falling flowers (inerti) #4, 2025, ink, acrylic resin, pigments and colour transfer from torn toilet paper on box cast of concrete, epoxy resin and marble dust, 26 x 32 x 4 cm
Falling Flowers (inerti) narrates fragments of landscapes—fleeting glimpses, like the flowers that inhabit them: joyful yet fragile and worn-out images of nature, conventional and functional, found in the floral decorations of toilet paper. These tired, disposable images seek to regain life; in the works, they crystallize through a process of refiguration, becoming layered and taking on a new form.
In these hybrid objects, suspended between painting and sculpture, the artist draws a parallel between building, dwelling, and, consequently, the body and the stereotypical representation of nature.
Unstable architectures of habitation dissolve into the vegetal—the flowers seem to grow on the surfaces of their supports: casts of boxes and containers made of reinforced concrete and plastic resins, fundamental elements of construction. Like botanical grafts, screws, wall plugs, and other fastening elements appear.
The series transforms these everyday materials into a new pictorial substance—pigment and compositional matrix. Through a personalized process refined by the artist—studying fresco techniques, tearing techniques, and photographic impression methods—resins, acrylics, inks, pastels, and other materials are employed. The work evokes the slow stratification of traditional painting through glazing.