2023 – Wake-up call, with a text by Irene Sofia Comi, ArtNoble Gallery, Milan
2022 – Ricreazione, curated by Federico Palumbo, Osservatorio Futura, Turin
2021 – Niente può mantenersi sano di mente in condizioni di assoluta realtà, curated by Dario Moalli, State of, Milan
2018/2019 – Donner à voir, Fondazione Pini, Milan
2018 – The other other, familiar other, curated by Bite the Saurus, Riot Studio, Palazzo Marigliano, Naples
2017 – Studio Visit duo show curated by Pietro Gaglianò, Museo Masaccio-Mannozzi, San Giovanni Valdarno
2017 – Je m’ouvrais pour la première fois à la tendre indifférence du monde, Waiting Room JONAS, Trento
Among his group shows:
2022 – Spaces, an open intimacy, TAGLI project, Milan
2022 – Nüwa city, curated by Anna Vittoria Magagna, Galleria Verrengia, Salerno
2021 – Travel diary, curated by Sonia Belfiore, Decentralend, Snarkart, Metaverse, Newyork based
2019 – Teatrum Botanicum, curated by Giulia Mengozzi, Pav Padiglione di arte vivente, Turin
2019 – Voi rubate del tempo alla fretta, a noi il mare ci impone lentezza, CASTRO project, curated by Alberta
Romano e Vincenzo Di Marino, Villa Di Lorenzo, HYPERMAREMMA, Ansedonia, Grosseto
2017 – The Great Learning, curated by Marco Scotini, Palazzo della Triennale, Milan
2021 – Maratona di visione, online show curated by di Alberto Ceresoli and Osservatorio Futura
2021 – Phroom Platform, online screening curated by Matteo Cremonesi and Giangiacomo Cirla
2020 – House of Displacement, curated by Campobase, Hangar, Barcelona, Spain
2019 – Traffic Festival delle anime gentili, curated by Matteo Binci, Pietro Consolandi, Bianca Schröder, San Lorenzo in Campo (PU)
2019 – Lago Film Fest, Revine Lago (TV)
2017 – Screening Talent Video Awards, Careof, FIDMarseille, Mibact, Cinema Anteo, Milano
Luca Staccioli's multidisciplinary artistic practice is research-based and process-oriented, merging videos, photos, sounds, sculptures, embroideries, drawings, and collages.
Conceived as narratives, his hybrid artworks question the processes of aesthetic and identity homogenization and their influence on competitiveness, worth, expectations, and the exploitation of emotionality by mass media.
His works de-functionalize products, shifting their scales, transforming their materials, often using found objects as molds to create new forms and stories.
Staccioli layers childhood fantasies, micro-stories, uprooted memories, as well as everyday objects and nomadic images that proliferate on the internet and in historical archives. Images and objects are active agents carring narratives, consistently embedded within the realms of technology and power, holding significant political connotations.
Reflecting on the changing value of tales and items, and on the relation between human bodies and artefacts, Staccioli reappropriates images and realities eroded by consumption and productivity, investigating the political territories of reimagination.
2022 – Exibart Prize 2021
2018 – Fabbri Prize for contemporary art
2018 – Fondazione Pini Grant
2017 – the second prize of Talent Video Awards, Careof, FIDMarseille, Mibact.