Luca Staccioli
Familiar pics: homy history
Exhibition view Niente può mantenersi sano di mente in condizione di assoluta realtà, curated by Dario Moalli, State of, Milan.
Photo Francesco Spallacci
Familiar pics:homy history, neo-liberalism wellness
2021
50x47x15 cm
pastel and marker on scottex paper, wood, plywood, razors, electrical components, branch, numbers for birthday cake, clay, pigments, non-toxic resin
Familiar pics: homy history, neo-liberalism wellness
detail
Familiar pics: homy history, birthday memories
2021
41x60x15 cm
pastel and marker on scottex paper, wood, metal grid, aluminium, cake candle holder, clay, chalk, pigments, non-toxic resin
Familiar pics: homy history, birthday memories
details
Familiar pics: family on board, portrait #2
2021
33x39x6 cm
cotton embroidery on found image, passepartout, glass, woodframe, cake candle holder, clay, DAS, plastic electric tube, toy car, oyster shell, pigments, non-toxic resin.
Niente può mantenersi sano di mente in condizione di assoluta realtà, curated by Dario Moalli, State of, Milan.
photo Francesco Spallacci
Familiar pics: homy history, puppets therapy
2020
35x40x6,5 cm
pastel and marker on scottex paper, clay, wood, metal remains, plastic knives, pigments, non-toxic resin
Familiar pics is an album of family memories. It is composed by three series: homy history, family on board and landscape.
In Familiar pics: homy history, historical documents, advertising images, images of war and violence are mixed and re-drawn on scottex paper.
The new meanings contrast the everyday surface on which they are appearing, creating a tension between familiarity and otherness.
Familiar pics takes shape from an archive composed by images, videos, advertising, tutorial, logos, operating instructions, historical documents. The rielaboration of these etherogeneous materials questions the role of images in cultural narration, the aesthetic normativity, the explotation of emotionality by mass-media.
The frames are transformed in hybrid bodies. They are a coagulation of daily elements, memories, scraps, remains of animals and plants forms of life.
Compleanno #5
2021
50x26x26 cm
non-toxic resin cast, plaster, clay, pigments, polyurethane spray, aluminium, wood, birthday cake decoration number, glitter, electric motor, glass cake tray.
Familiar pics: family on board
Familiar pics: family on board, portrait #1
2020
37x45x4 cm
newspaper, collage, passepartout, wooden frame, glass, plastic forks, cake tin, dessert tray, candles, clay, pigments and non-toxic resin
Familiar pics: family on board, portrait #1
detail
Familiar pics: family on board, family portrait #3
2021
40x60x20 cm
collage on newspaper, clay, wood, wood frame, metal remains, electrical elements, sprayer for detergents, toy cars, toy spaceship, aluminun, plywood, hacksaw handle, pigments, non-toxic resin
Familiar pics: family on board, family portrait #3
detail
Familiar pics: family portrait #2
2020
46x52x3 cm
newspaper, collage, passepartout, wooden frame, glass, plastic supports for candles, clay, pigments and non-toxic resin
Familiar pics is an album of family memories.
In Familiar pics: family on board, the stereotype shapes of family members censor and substitute the charachers of the images. Collage and embroidery appropriate the images, creating displacements of meanings.
Familiar pics: landscape
Familiar pics: tinderscape
2019
50x70 cm
pastel, stickers on paper, alluminium frame
Exhibition view, Voi rubate del tempo alla fretta, a noi il mare ci impone lentezza, a CASTRO based project, curated by Alberta Romano and Vincenzo Di Marino, Villa Di Lorenzo, HYPERMAREMMA, Ansedonia, Grosseto, Italy
Familiar pics: tinderscape
details
Familiar pics: waxingscape
2019
72x75 cm
pastel, collage, wrapping paper
Familiar pics: waxingscape
details
Familiar pics: toothbrush seascape
2020
65x97 cm
pastel, collage, c-print on paper
Familiar pics: toothbrush seascape
details
Familiar pics: meadow
2020
60x80 cm
pastel, collage, tablecloth on paper, alluminum frame
Familiar pics: meadow
detail
Familiar pics is an album of family memories.
In the series, references of history of figuration and operating instructions, logos, tutorials, images found in social networks, sharing platforms and advertisements, converge throughout an ongoing transformative practice that reformulates bodies, landscapes and visual heritages.
Images and symbols are fragmented, their conceptual and visual functionality is suspended. The reconstruction process of the new images is aimed to critical re-appropriations of the pre-established meanings.